Repertoire
Audiences are always fascinated by the harp. Programming a harp, whether it is in a recital or for a concerto is a chance to discover different repertoire and a new world of sounds.
Elisabeth Plank presents the harp with all its textures and colours, as a visually and acoustically extraordinary instrument with a magnitude of possibilities.
Concertos:
J. G. Albrechtsberger: Concerto in C-Major
Lucio Bruno-Videla: Concierto para arpa, op. 42
André Caplet: Conte Fantastique
J.- M. Damase: Concertino pour harpe
Claude Debussy: Danses
Onur Dülger: Bai-Ulgan
Alberto Ginastera: Harp Concerto op. 25
G. F. Händel: Concerto in B-Major
W. A. Mozart: Concerto in C-Major for Flute and Harp
Elias Parish Alvars: Concertino op. 34
Maurice Ravel: Introduction et Allegro
Carl Reinecke: Concerto in e-Minor op. 182
Kaija Saariaho: Trans
G. C. Wagenseil: Concerto for Harp in F-Major
Concerto for Harp in G-Major
SOLO:
Elisabeth Plank's recitals are curated, with varied, intriguing and exciting repertoire, far from stereotypical harp pleasantries
Repertoire from the 18th century to the modern day
Examples for curated recital programs:
Bauhaus 100, Echoes of Vienna, In a Landscape
chamber music:
current projects include programs with
harp & string quartet, trio (fl, vla, hp)
duo (fl-hp, vl-hp, vc-hp)
harp & baritone and harp & narrator
with Simply Quartet,
Johannes Fleischmann, Ana Topalovic,
Manuel Walser, Petra Morzé
Dedications:
Akos Banlaky: Valse mélancolique (2021)
Lucio Bruno-Videla: Concierto, Op. 42 (2018)
Fantasia, Op. 45 (2020)
Onur Dülger: Bai-Ulgan (2015)
Clio Em: Birdsong (2021)
Margareta Ferek-Petric: Mind control (no Major Tom) (2023)
Arturo Fuentes: Central Plank (2017)
Quimera (2022)
Annamaria Kowalsky: A Rose-Toned Fragment (2022)
Pier Damiano Peretti: “…nia nia…” preludes to a lullaby (2024)
Monika Stadler: Alpine Impressions (2024)
Wolfram Wagner: Elegie (2019)
Ballade (2020)
Andreas Wykydal: Sonatine für Harfe (2013)